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Book Notes 7/05


Please forward this newsletter to any friends who would enjoy it and tell them to sign up.

Several advance reader editions of the book have been sent on what I call The Wayward Book Tour. It's an experiment in the connections between friends and readers. Read more at my website by clicking on the book page and then the Wayward Tour page.

Also check out the tour photos.  And send more

I've been adding depth to my website, learning as I go.
cindydyson.com

You can pre-order the book on amazon.com



Author On the Loose

Dyson is probably going to NYC to meet the publishing folks in July. She's also going to be exploring eastern Montana's gold rush and vigilante history.


Reviews

I haven’t read much of the book yet.  (I had to put it down after that sex scene near the beginning.)  But I hear from all the relatives it's a great piece of literature.  And I believe it because I know Cindy is a talented, intelligent gal (even if she is a blonde).  Just one thing though, folks, you may want to keep it away from the youngins. (If you know what I mean.)

Auntie Marie



Recommended Reading

The Sex Lives of Cannibals
by J. Maarten Troost

Appaloosa
by Robert Parker (really anything by Parker

Degenerate Prose


In this installment of DP we look at the connections between writers and depressed drunkardly behavior.

I began with the belief that being angst-ridden and frequently intoxicated does not help a person write. This belief was founded entirely upon one night when I was feeling dark and drank a lot of wine and listened to Jimmy Buffet over and over, thinking I was working on my novel. The next morning, I discovered I had written twenty pages about a woman who stepped on a metaphorical pop top and blew out a metaphorical flip flop. Also, I seemed to have cried a lot because the wad of papers on my desk were all splotchy.

I was content in this believe until I heard that pretty much every great writer of the past was a depressed alcoholic. Even poet Edna St. Vincent Milay, according to drinking and writing.com And she wrote one of my favorite poems, Patterns, which now that I think about it, could hardly have been written sober.

In the throes of confusion, my husband and I set out to investigate.

We created a matrix of four markers that would accurately measure depressive and drunkardly tendencies then we searched author websites. What we found astounded us.

1. Author photos. In a full 70 percent, the authors were clearly drunk. Typical example.
2. Signatures. Although we are not handwriting experts, it was obvious the majority were not the signatures of normal people. Typical example.
3. Color choice. Authors chose black backgrounds five times more frequently than the control group of non-author websites.
4. References to "mother" and "father." A full 30 percent of author websites referenced the words "mother" and "father" ON THE SAME PAGE.

To solidify our research we posted a survey on a popular writer's forum asking members if they were in fact drinking at that moment (
10 p.m. mountain time). Of the respondents, only one was not drinking and she admitted to not being a published writer.

The message was clear, the research impeccable. To be a great writer you have to be a depressed drunkard.

This in itself depressed me as I'm happy and in complete control of my alcohol consumption. Unwilling to admit the logical conclusion, that I'd never be a great writer, I decided that this tendency for writers to be depressed drunks is only effective in so far as it aids a writer's self-image as a free and unique thinker.

Ah-ha, I said to myself. So there must be other ways. And, after a couple drinks, I've come up with a few.

Hang with people who like free and unique thinking. And read that kind of stuff. You've probably already got friends like this. Push them to reveal it.

Cultivate a rigorous mind. The easiest way is to stop rounding up. When you're shopping and trying to figure the sum of five prices, force yourself to keep the cents attached to the dollars while adding in your head.

Do something that scares you every day. Write something that scares you and then delete quickly. Remind yourself that you are free by dying your hair, getting a tattoo, forgetting underwear, using out of vogue phrases like "gnarly."

Change your mind about something regularly, for no other reason than to prove you can, dammit. Quit explaining yourself.

Recap: You can be a great writer by acting depressed and drunkardly. But there are other ways, at least in theory. You can cultivate intellectual freedom by forcing your mind and heart into eccentric circles.

Assignments: 1. Do something odd then write about it on a public bathroom wall. For example, write, "I'm not wearing underpants." 2. Write a cool quote from a ponderously intellectual book on a public restroom wall. Then draw an arrow to the quote and, in different color marker, write, "That's crap." Check back in a week to see if anyone adds to your work. Don't forget to e-mail me a picture.




ImageSomeone flushed a journal page per the last issue's assignment.


Contest: Small Taboos


What won’t you do because somewhere between superstition and reason you’ve got doubt? Write a 200-to 400-word essay exploring a taboo in your life. We’re not talking sleeping with a sibling here. But the little things that just seem inexplicably wrong. The winner will get something as cool as Shirley’s pointy hat and will be included in a future newsletter and on my website.

Winner: Seduction of a Seedy Bar



Shirley Rorvik won the last contest with her Five Aces essay, about five little old church ladies playing dead serious poker in a hitching-post bar in Montana. She’s getting an odd, yellow, pointy rain hat, designed by a
Bristol Bay fisherman.  Read Five Aces.

WWBD
What Would Brandy Do?


Benefit from the wisdom of a trashy blonde who only exists in a book that hasn’t been published yet. Just emaila question, preferably of a personal and embarrassing nature.

Dear Brandy,
I have been emailing my boyfriend for 3 months. I visited him twice (two states away). I call him every night. I’m moving to his town to be with him. He knows I want to get married, but he won’t commit. What do I do now?

Signed,
Desperate

Dear Desperate,
The answer is in the very word you used to describe yourself —desperate. Nobody wants desperate. This falls under the prevue of Rule #2: never admit desperation.



Contact

Taking Offense


When I write, I’m interested not just in the feel of words or the development of a character. I’m interested in ideas and how those ideas play out in a story. And the ideas I like best are ones that I’m, frankly, not too comfortable with. This column is a series of essays by thinkers whose ideas shaped this book. I want to share them with you as a peek behind the words and plot. I encourage you to get as offended, as provoked, as intrigued as I’ve been. Enjoy.

Excerpt from Constant Battles: Why We Fight
By Steven LeBlanc



In his book, Constant Battles, LeBlanc, a Harvard archaeologist and director of collections for the
Peabody Museum of Archaeology and Ethnology, argues that we are dead wrong about the past when it comes to warfare. He systematically runs through the archaeological evidence – from severed skulls, to man-size spear points, to fortified towns, to the Great Wall and the Acropolis – that humans are not and have never been peace-loving folks. In fact, on average most cultures have lost a whopping 25 percent of their populations to warfare, far more than the ratios in modern wars. The noble savage is a myth we believe against all reason, he says, because, well, it’s nicer to think that there was a paradise and we just messed it up. And what are we fighting for? Resources. We’ve never been able to live within our means. We always over-use the land, procreating pell-mell until the weather turns against us, and we end up hungry and brandishing a weapon. The logical conclusions of his arguments swirl into the very foundation of social morality and give plenty of thinking fodder when it comes to our current conflicts around the globe. If you’re intrigued by LeBlanc’s ideas, read more about the debate or order his book.

In this excerpt from Constant Battles, he uses two imaginary, isolated groups to explain why evolution doesn’t favor peaceful, conservationist types.



Assume for a moment that by some miracle one of our two groups is full of farsighted, ecological geniuses. They are able to keep their population in check and, moreover, keep it far enough below the carrying capacity that minor changes in the weather, or even longer-term changes in the climate, do not result in food stress. If they need to consume only half of what is available each year, even if there is a terrible year, this group will probably come through the hardship just fine. More important, when a few good years come along, these masterfully ecological people will not grow rapidly, because to do so would mean that they would have trouble when the good times end. Think of them as the ecological equivalent of the industrious ants.

The second group, on the other hand, is just the opposite – it consists of ecological dimwits. They have no wonderful processes available to control their population. They are forever on the edge of the carrying capacity, they reproduce with abandon, and they frequently suffer food shortages and the inevitable consequences. Think of this bunch as the ecological equivalent of the carefree grasshoppers. When the good years come, they have more children and grow their population rapidly. Twenty years later, they have doubled their numbers and quickly run out of food at the first minor change in the weather. Of course, had this been a group of “noble savages,” who eschewed warfare, they would have starved to death and only a much smaller and more sustainable group survived. This is not a bunch of noble savages; these are ecological dimwits and they attack their good neighbors in order to save their own skins. Since they now outnumber their good neighbors two to one, the dimwits prevail after heavy attrition on both sides. The “good” ants turn out to be dead ants, and the “bad” grasshoppers inherit the earth.

The moral of this tale is that if any group can get itself into ecological balance and stabilize its populations even in the face of environmental change, it will be tremendously disadvantaged against societies that do not behave that way. The long-term successful society, in a world with many different societies, will be the one that grows when it can and fights when it runs out of resources. It is useless to live an ecologically sustainable existence in the “Garden of Eden” unless the neighbors do so as well. Only one nonconservationist society in an entire region can begin a process of conflict and expansion by the “grasshoppers” at the expense of the Eden-dwelling “ants.”

This smacks of Darwinian competition – survival of the fittest – between societies. Note that the ”fittest” of our two groups was not the more ecological, it was the one that grew faster. The idea of such Darwinian competition is unpalatable to many, especially when the “bad” folks appear to be the winners.

So after considering the overall evidence uncovered in my own work and the work of other anthropologists, we see that life in the past was not as we thought it was – or wished it to be. Not only have two popular myths about human history prevailed, but they are intertwined. The myth of the “noble savage” living in peaceful harmony with nature is a naïve version of the idea that traditional societies have been able to live below the carrying capacity and were able to control their populations so they wouldn’t exceed the resource supply, but human societies have not been able to do this. And along with the misconception comes the myth of a peaceful past, which views warfare as occasional, minor, and almost gamelike. War in the past was frequent, serious, and deadly.



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